Producer and multi-instrumentalist Ben Marc, who’s emerged as a key figure of London’s cutting edge jazz scene, has just announced his debut full length, a follow up to last September’s widely acclaimed Breathe Suite EP (heralded by NPR, Pitchfork, The Wire, The Guardian, and more). Glass Effect, set for release this Spring via Innovative Leisure, is an assured and accomplished 13-track realization of a singular vision that unifies a multitudinous profusion of influences (from free-jazz, to broken beat, to hip hop and beyond) into a sublime whole, underscoring the evolution of his quest for a distinctive sound: lambent, low-key, and yet dizzyingly intricate. It’s a rare talent that can link Radiohead’s Jonny Greenwood, Ethio-jazz pioneer Mulatu Astatke, Afrofuturists Sun Ra Arkestra, and grime legend Dizzee Rascal, but Marc has long blurred musical worlds and criss-crossed boundaries. On double and electric bass, he flits between jazz, classical, and electronic music, whether playing on Greenwood’s award-winning score for the film The Master or touring with Astatke for over 10 years, as well as working with the likes of Matthew Herbert, Charles Mingus, China Moses, and Soweto Kinch – and even joining Tina Turner once onstage.
Powerful meditation for traumatic times
Ben Marc bassguitar/bass synth | Pete Adam Hill drums | Dian Gasper keyboards | Bobby Quigley guitar | Miryam Soloman vocals